Bronzino’s Del pennello and the Pleasures of Art

Authors

  • Bette Talvacchia University of Connecticut

Abstract

Agnolo Bronzino was a Florentine artist in the sphere of the Medici court who was also an accomplished and recognized poet. His most appreciated poems were in the genres of parody and burlesque humor that often employed sexual puns and metaphors as expressive means. This article focuses on Bronzino’s poem Del pennello, a hymn of praise for the artist’s paintbrush, which through a pun on the term pennello, can be understood also to refer to the male sexual organ. The author’s reading explores the meaning of the imagery and its relation to contemporary works of art. It also considers the poem’s teasing subversion of concepts of artistic creation that underlay developing theories of art in the later Renaissance period.

Author Biography

  • Bette Talvacchia, University of Connecticut

    Bette Talvacchia is Board of Trustees Distinguished Professor and Professor of Art History at the University of Connecticut. She has been a Fellow at Villa I Tatti; The Institute for Advanced Study, Princeton; The Center for Advanced Study in the Visual Arts at the National Gallery in Washington; and at the Metropolitan Museum. In 2011-12 she will be Scholar in Residence at the Dutch University Institute in Florence. She has widely published on topics in 16th-century Italian art and culture, including the books Taking Positions: On the Erotic in Renaissance Culture (Princeton University Press, 1999), Raphael (Phaidon Press, 2007). Most recently she has edited and contributed to A Cultural History of Renaissance Sexuality (Berg Publishers, Oxford, 2011).

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Published

2026-05-04

How to Cite

Talvacchia, B. (2026). Bronzino’s Del pennello and the Pleasures of Art. FRAME, Journal of Literary Studies, 24(2), 21-38. https://platform.openjournals.nl/FRAME/article/view/27446