The Art of Maus

Self-Representation and Confession in the Graphic Novel

Authors

  • Machteld Harmsen University of Amsterdam

Abstract

This article discusses Art Spiegelman's Maus as a comic autobiography. The inserted comic "Prisoner on the Hell Planet" functions as a mise-en-abyme, pointing to a possibly endless process of confession and forgiveness. Spiegelman is engaged in Maus therefore must be read in the context of Spiegelman's other confessional works, such as "Mein Kampf" and the "Portrait of the Artist as a Young %@?*!" series. Furthermore, Spiegelman's crucial intertwining of word and image in his confession complicates discussions of confession as a purely linguistic phenomenon.

Author Biography

  • Machteld Harmsen, University of Amsterdam

    Machteld Harmsen (1980) is editor at the Amsterdam School for Cultural Analysis, University of Amsterdam. She received MA degrees in Literary Studies from Leiden University and KU Leuven.

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Published

2026-05-04

Issue

Section

Masterclass

How to Cite

Harmsen, M. (2026). The Art of Maus: Self-Representation and Confession in the Graphic Novel. FRAME, Journal of Literary Studies, 23(1), 70-87. https://platform.openjournals.nl/FRAME/article/view/27470