Schuldig, sensueel of schadelijk

De Sarotti-Mohr van de jaren twintig in kritisch perspectief

Auteur(s)

  • Tibbe Jonker Auteur

DOI:

https://doi.org/10.65245/wt1fs551

Samenvatting

In this paper I explore various layers of meanings that Germans used to attribute to the Sarotti-Mohr in the post-colonial period. The main focus lies on the unique status of colonial subjects in Weimar Germany. After signing the Treaty of Versailles, Germany lost its colonies. As part of a wider desire to revise this Treaty, many Germans wanted to regain their former status as a colonial power. This had a unique effect on the representation of colonial subjects in German advertisements. However, the Sarotti-Mohr is also to be acknowledged in its transnational context. Hence, I situate this advertising figure in a longer European tradition of representing African people. This paper will conclude with a case study which explores the mutual effects of the Sarotti-Mohr and the ideal of The New Woman, using Homi K. Bhabha’s concept of fetishism.

Biografie auteur

  • Tibbe Jonker

    Tibbe Jonker doet momenteel de Interfacultaire Lerarenopleiding aan de Universiteit van Amsterdam. Vorig jaar rondde hij de master Duitslandstudies (Geschiedenis) af. Daarbij hield hij zich voornamelijk bezig met de koloniale geschiedenis van Duitsland.

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Gepubliceerd

2025-12-10

Citeerhulp

Jonker, T. (2025). Schuldig, sensueel of schadelijk: De Sarotti-Mohr van de jaren twintig in kritisch perspectief. Skript Historisch Tijdschrift, 42(4), 28-41. https://doi.org/10.65245/wt1fs551