‘I’m full of gaps’
Depression in Florian Zeller’s The Son
Abstract
Florian Zeller’s play The Son (2019) explores how parents may be complicit in destabilizing their children’s mental health, in addition to the impact that children who do not conform to ideal norms have on the lives of their parents. Through its cryptic dialogue, the text suggests that depression is a state that exists partly beyond linguistic representation. This article posits that Zeller’s characteristic modes of language use and storytelling, brought to life here in Christopher Hampton’s English translation, provide an apposite vehicle for the on-stage representation of depression.
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Copyright (c) 2026 Ben Screech

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