Postcoloniality and the “Cultural Turn”

Authors

  • Akin Adesokan Indiana University, Bloomington

Abstract

This essay discusses a significant theme in the field of postcolonial studies, that is, the paradox that culture as a political legitimation of identity is also subject to the violence of representation. Focusing on Kwame Anthony Appiah’s much-cited essay “Is the Post- in Postmodernism the Post- in Postcolonial?” as useful but limited meditation on this paradox, I highlight the importance of “the cultural turn” in postmodernity in entrenching the asymmetry between postcoloniality and other fields in the humanities and the social sciences, with particular examples of the marketability of African and “non-European” experiences. This discussion enables me to contrast prevalent ideas of culture with classic texts (Cabral; Fanon) on the nature of national culture. In conclusion, I stress the becomingness and partiality of culture, at every historical point, as a set of practices that do not and cannot reflect the totality of social expressions of all sections of a given society.

Author Biography

  • Akin Adesokan, Indiana University, Bloomington

    Akin Adesokan is Associate Professor of Comparative Literature, and of Cinema and Media Studies at the Media School at Indiana University, Bloomington. His books include Roots in the Sky, a novel, and Postcolonial Artists and Global Aesthetics. His writings have also appeared in AGNI, Screen, Social Dynamics, African Affairs, Black Camera, Research in African Literatures, and Textual Practice, as well as in numerous edited volumes. He is a contributing editor of The Chimurenga Chronic, the Cape Town-based journal of politics and ideas.

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Published

2026-05-04

How to Cite

Adesokan, A. (2026). Postcoloniality and the “Cultural Turn”. FRAME, Journal of Literary Studies, 28(2), 71-88. https://platform.openjournals.nl/FRAME/article/view/27378