Writing Touch at the Interface

Luxuria Superbia’s Exploratory Play with Self-Writing

Authors

  • Laura Shackelford Rochester Institute of Technology

Abstract

Digital literary works, such as Luxuria Superbia (2013) an interactive, verbicovisual experimental tablet game, recombine media, modes, and genres of writing to comparatively reconsider and assess shifting writing practices. These works reveal the complex relations linking prior print to emergent digital forms of self-writing. They are particularly concerned with how shifting writing practices help to co-realize distinct subjectivities, intersubjective relations and lived spaces. Luxuria Superbia experiments with touch-based, multimodal digital writing, asking how it might alter gendered and sexualized assumptions about subjective boundaries and lived spaces. Such exploratory play with performative practices of self-writing and with intersubjective touching at the interface move discussions of digital media beyond the limiting Heideggerian frame of the properly human toward more thoroughgoing understandings of how technics repeatedly reenter the human, her past and present handwriting.

Author Biography

  • Laura Shackelford, Rochester Institute of Technology

    Laura Shackelford is Associate Professor of English at the Rochester Institute of Technology. She is the author of Tactics of the Human: Experimental Technics in American Fiction, University of Michigan Press digitalculturebooks series (Dec. 2014), and publishes articles on comparative literary and media studies, contemporary American fiction, digital language practices, bioinformatics, technics, systems thinking, and feminist science studies.

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Published

2026-05-04

Issue

Section

Main Section

How to Cite

Shackelford, L. (2026). Writing Touch at the Interface: Luxuria Superbia’s Exploratory Play with Self-Writing. FRAME, Journal of Literary Studies, 28(1), 71-94. https://platform.openjournals.nl/FRAME/article/view/27384