Intermediality and Postmediality in Contemporary Cyberpoetry

Authors

  • Kiene Brillenburg Wurth Utrecht University

Abstract

In this article Brillenburg Wurth asks whether cyberpoetry is a rediscovery of modernistic experiments, a post- or multi-medial phenomenon. According to Brillenburg Wurth, cyberpoetry addresses differences between media, problematises them and does not commit to a single genre. She illustrates this with a specific kind of cyberpoetry that consists of multiple media that merge and transform into each other, or as Brillenburg Wurth calls it: "medially complex digital poetry." Amongst others, Brillenburg Wurth uses the work of Jason Nelson and Jim Andrews to support her argument.

Author Biography

  • Kiene Brillenburg Wurth, Utrecht University

    Kiene Brillenburg Wurth is assistant professor of Comparative Literature at Utrecht University. Her current research focuses on literature and (new) media technologies, and on intermediality and remediation as processes of medial mnemonics. An older, related line of research is aesthetic theory and inter-art transfers in the 18th, 19th, and 20th centuries. She is the author of Musically Sublime. Infinity, Indeterminacy, Irresolvability (Fordham UP, 2008), and (with Ann Rigney) Het leven van teksten. Een inleiding in de literatuurwetenschap (Amsterdam UP, 2006). She has contributed to The Journal of the Philosophy of History, Revue des Littératures de l'Union Européenne, Feit en Fictie, and to edited volumes: Music and Literary Modernism: Critical Studies and Comparative Essays (Cambridge Scholars Press, 2007), Histories of the Sublime (Koninklijke Vlaamse Akademie van Wetenschappen, 2006).

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Published

2026-05-04

Issue

Section

Main Section

How to Cite

Brillenburg Wurth, K. (2026). Intermediality and Postmediality in Contemporary Cyberpoetry. FRAME, Journal of Literary Studies, 21(1), 30-52. https://platform.openjournals.nl/FRAME/article/view/27498